JOAN SKELTON SMITH
Joan Skelton Smith, Bough (2009)
Joan Skelton Smith
Joan Skelton Smith, Papel Picado (2009) |
I think of myself as a humanist, an artist whose practice is fully engaged in the real world. I see my studio practice as a way of trying to come to terms with that reality and as a vehicle to share my response with others. I grew up in the Cold War world of the Cuban missile crisis, the Kennedy assassination, the Vietnam War and the Nixon impeachment. As a child I would climb up into the tree tops seeking a refuge and a sanctuary. Since the end of the Cold War, I have watched the world descend into political, economic and environmental chaos. I see the natural world which I always believed would persevere threatened by man's actions. Many wonder what the role of an artist is in such circumstances. I believe that we cannot depend on 'those who are supposed to take care of us'. I believe that we each have to take some personal responsibility by doing whatever we can. I want to create strong, powerful images which will have an emotional and physical effect on the viewer. I hope that my work can in some way make viewers more aware of their place as part of the natural world. As for career aspirations, if I were to create one work of art that went on to inform future generations about life in our contemporary world, I feel that would be a considerable accomplishment. I believe that an individual’s experiences have universal meaning. I feel that primary sources such as diaries, letters and works of art are one of the most valuable parts of the historical record; I hope to make a contribution to that record. Click here for Joan Skelton Smith's website JOAN SKELTON SMITH'S CONVERSATIONS AND INTERACTIONS:Self-Critical Badges, a project by Duncan Sellar Round in Circles, a project by Martina O'Shea Open Work, a conversation with Alison Carter Tai Post-Uni Conversations, a conversation with Lis Mann The Shredded Money Project, a project by Imogen Welch What does an artist wear?, an enquiry by Alison Carter Tai Remarkable Nature a project by Tineke Bruijnzeels Places a project by Steve Perfect Remarkable Bookshelf a project by Cally Trench Discourse at Mary's, a conversation hosted by Mary Yacoob Joan and Lis Together a conversation with Lis Mann Ginkgo, an interaction with Alison Carter Tai Obscure Corners a project by Brigitte Ritschard Papel Picado, a project by Joan Skelton Smith Unintentional Traces a project by Linda Francis Time Out a project by Lynne Grace Remarkable Place, a weekend of exhibition and events at The Keep, Reading, hosted by OpenHand OpenSpace Remarkable Bookshelf 2 a project by Cally Trench Place 127 Cutout an interaction with Steve Perfect Triple Spin, a collaborative performance Neverospective, a project by Duncan Sellar Earliest Memories Quilt, a project by Lis Mann Getting to know you in a matchbox, a project by Kay Sentance Mapping Window Slip a drawing by Jane Grisewood of a performance by Philip Lee Remarkable Shed Party, a day of exhibition and events hosted by Sophie Loss |
